editorial
listening space
a true presence in the world immediately places us at the heart of a profound listening experience that makes us sensitive not only to the vibrations of sound waves alone, but also to all the many other vibrations that surround us
surface congestion
bustle, avalanches of words, logorrhea
verbal layers that intersect, overlap, adjoin and loop
dizziness, vertigo, discomfort
delirium, wandering, stupor against a backdrop of anxiety
saturation of discordant, unpleasant frequencies
György Kurtág, Microlude 10, Keller quartet
in response
nothing everything
a space made of nothing and capable of everything
© Souffle, Isa Barbier, Silvacane Abbey
Gustav Mahler, Symphony No. 1 Titan, excerpt from the first movement, OSR conducted by Christoph Eschenbach
an i m m e n s e a n d v i r g i n s p a c e
© Cuno Amiet, Grand Hiver, Musée d’Orsay
a background of silence that includes tumult as minor events
John Cage, two5 for piano and tuba (excerpt)
a certain q u a l i t y o f p r e s e n c e
attention that is not focused but open





